Abstract: The purpose of this study was to examine the what, how, and extent to which disabled persons have been represented photographically in the popular music education publication known as the Music Educators Journal (MEJ). I used captions/text and visual means to identify photographs of disabled persons in 643 issues of the MEJ from 1914 until 2015. Data for this content analysis included every photograph of disabled persons (N = 186) located. Photographs were analyzed for disability labels, setting, integration, activities depicted, percieved race, location in the journal, and decade. The majority of photographs of disabled persons were found in the 1980s, possibly in response to the 1975 legislation PL 94-142 (now known as the Individuals with Disabilities Education Act). Mental impairment was the most frequently represented disability in the photographs (30.1%), followed by visual impairment (9.7%), hearing impairment (7.0%), with 30/1% of photographs depicting persons with unspecified disability labels. Additionally, I found an overabundance of general music classroom settings for photographs (37.1%) as compared to all other music education classroom settings (16.1%). Overall, the limited percentage of disabled persons in the MEJ suggests a marginal status and/or concern for disabled persons within the popular consciousness of music education of the United States.
Rathgeber, J. (Unpublished). Seeing disability: A content analysis of photographs of disability in the Music Educators Journal, 1932-2015. Unpublished manuscript, Music Education and Music Therapy Division, Arizona State University, Tempe, AZ. Abstract: The purpose of this study was to examine the what, how, and extent to which disabled persons have been represented photographically in the popular music education publication known as the Music Educators Journal (MEJ). I used captions/text and visual means to identify photographs of disabled persons in 643 issues of the MEJ from 1914 until 2015. Data for this content analysis included every photograph of disabled persons (N = 186) located. Photographs were analyzed for disability labels, setting, integration, activities depicted, percieved race, location in the journal, and decade. The majority of photographs of disabled persons were found in the 1980s, possibly in response to the 1975 legislation PL 94-142 (now known as the Individuals with Disabilities Education Act). Mental impairment was the most frequently represented disability in the photographs (30.1%), followed by visual impairment (9.7%), hearing impairment (7.0%), with 30/1% of photographs depicting persons with unspecified disability labels. Additionally, I found an overabundance of general music classroom settings for photographs (37.1%) as compared to all other music education classroom settings (16.1%). Overall, the limited percentage of disabled persons in the MEJ suggests a marginal status and/or concern for disabled persons within the popular consciousness of music education of the United States.
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